that's what i'm calling you today poppa.
i hope you still look at this with your eyes and
hear it in your ears and
answer it in your mouth and
comprehend it in your brain and
feel me in your heart
because
i'm terrible at telephone etiquette.
i hate feeling like i'm drying up.
i just want to be the soggiest sponge there ever was.
i want to spend my days reading and my nights being inspired but,
that can't even be reality.
did you know that two fillings can cost you $511, with insurance?
i do now (and should probably not be chewing my 4th consecutive piece of gum).
i hope one day i can come see you in the wilds of washington
although i'll miss meekis just the same.
it's a shame you aren't around anymore (physically) to open my eyes for me,
or lift me off the ground surrounded by pure glee.
that's really all i'm thinking right now.
aside from that you will ABSOLUTELY have a package sometime in the month of november to mark,
our anniversary.
Wednesday, September 30, 2009
Friday, September 25, 2009
moma
EXHIBITIONS Tim Burton
November 22, 2009–April 26, 2010
Theater 1 Gallery
Theater 2 Gallery
Special Exhibitions Gallery, third floor
Museum Lobby
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Accompanied by the film exhibition Tim Burton
This major career retrospective on Tim Burton (American, b. 1958), consisting of a gallery exhibition and a film series, considers Burton's career as a director, producer, writer, and concept artist for live-action and animated films, along with his work as a fiction writer, photographer and illustrator. Following the current of his visual imagination from his earliest childhood drawing through his mature work, the exhibition presents artwork generated during the conception and production of his films, and highlights a number of unrealized projects and never-before-seen pieces, as well as student art, his earliest non-professional films, and examples of his work as a storyteller and graphic artist for non-film projects. The opposing themes of adolescence and adulthood, and the elements of sentiment, cynicism, and humor inform his work in a variety of mediums—drawings, paintings, storyboards, digital and moving-image formats, puppets and maquettes, props, costumes, ephemera, sketchbooks, and cartoons. Taking inspiration from sources in pop culture, Burton has reinvented Hollywood genre filmmaking as a spiritual experience, influencing a generation of young artists working in film, video, and graphics.
Burton's films include Vincent (1982), Pee-Wee's Big Adventure (1985), Beetlejuice (1988), Batman (1989), Edward Scissorhands (1990), Batman Returns (1992), The Nightmare Before Christmas (as creator and producer) (1993), Ed Wood (1994), Mars Attacks! (1996), Sleepy Hollow (1999), Big Fish (2003), Corpse Bride (2005), Charlie and the Chocolate Factory (2005), and Sweeney Todd (2007); writing and Web projects include The Melancholy Death of Oyster Boy & Other Stories (1997) and Stainboy (2000).
--------------------------------------------------------------------------------
Organized by Ron Magliozzi, Assistant Curator, and Jenny He, Curatorial Assistant, Department of Film, with Rajendra Roy, The Celeste Bartos Chief Curator of Film.
November 22, 2009–April 26, 2010
Theater 1 Gallery
Theater 2 Gallery
Special Exhibitions Gallery, third floor
Museum Lobby
--------------------------------------------------------------------------------
Accompanied by the film exhibition Tim Burton
This major career retrospective on Tim Burton (American, b. 1958), consisting of a gallery exhibition and a film series, considers Burton's career as a director, producer, writer, and concept artist for live-action and animated films, along with his work as a fiction writer, photographer and illustrator. Following the current of his visual imagination from his earliest childhood drawing through his mature work, the exhibition presents artwork generated during the conception and production of his films, and highlights a number of unrealized projects and never-before-seen pieces, as well as student art, his earliest non-professional films, and examples of his work as a storyteller and graphic artist for non-film projects. The opposing themes of adolescence and adulthood, and the elements of sentiment, cynicism, and humor inform his work in a variety of mediums—drawings, paintings, storyboards, digital and moving-image formats, puppets and maquettes, props, costumes, ephemera, sketchbooks, and cartoons. Taking inspiration from sources in pop culture, Burton has reinvented Hollywood genre filmmaking as a spiritual experience, influencing a generation of young artists working in film, video, and graphics.
Burton's films include Vincent (1982), Pee-Wee's Big Adventure (1985), Beetlejuice (1988), Batman (1989), Edward Scissorhands (1990), Batman Returns (1992), The Nightmare Before Christmas (as creator and producer) (1993), Ed Wood (1994), Mars Attacks! (1996), Sleepy Hollow (1999), Big Fish (2003), Corpse Bride (2005), Charlie and the Chocolate Factory (2005), and Sweeney Todd (2007); writing and Web projects include The Melancholy Death of Oyster Boy & Other Stories (1997) and Stainboy (2000).
--------------------------------------------------------------------------------
Organized by Ron Magliozzi, Assistant Curator, and Jenny He, Curatorial Assistant, Department of Film, with Rajendra Roy, The Celeste Bartos Chief Curator of Film.
Wednesday, September 23, 2009
VICE PHOTOS
By Miranda JulySTORY BY MIRANDA JULY AND ROE ETHRIDGE
http://www.viceland.com/int/v16n9/htdocs/photos-miranda-july-136.php
also,
http://vimeo.com/1976212
kind of exactly what i needed to stumble upon today.
it's a little weird the messages we get exactly when we need to.
thanks, universe.
By Miranda JulySTORY BY MIRANDA JULY AND ROE ETHRIDGE
http://www.viceland.com/int/v16n9/htdocs/photos-miranda-july-136.php
also,
http://vimeo.com/1976212
kind of exactly what i needed to stumble upon today.
it's a little weird the messages we get exactly when we need to.
thanks, universe.
Monday, September 21, 2009
Thursday, September 17, 2009
Thursday, September 10, 2009
Friday, September 4, 2009
http://nymag.com/daily/fashion/2009/09/balenciaga_campaign.html?mid=fashion-alert--20090903#photo=7
i really hate jennifer connolly in this whole campaign just because her face is dumb and empty and the same in all of them.
if you swapped out her face pic #4 would be my favvvvv.
i really hate jennifer connolly in this whole campaign just because her face is dumb and empty and the same in all of them.
if you swapped out her face pic #4 would be my favvvvv.
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